LG has cooked up a new picture setting for its TVs, and it’s an intriguing one. Creator Original Picture Mode is billed as an industry-first for streaming, and the pitch is deceptively simple: instead of your TV deciding how a film should look, the filmmakers do.
Think of it as the logical next step beyond Filmmaker Mode. Where Filmmaker Mode strips away post-processing to deliver a truer, more neutral image, Creator Original goes further by letting studios dial in bespoke parameters for each title. That means the people who made the movie get to set shadow detail, colour balance, noise reduction and motion handling exactly as they intended — no two films necessarily treated the same way.
The heavy lifting is done by LG’s Alpha 11 4K Gen 3 processor, which brings 12-bit image processing and enhanced dynamic range control to the party, alongside the usual Dolby Vision and Dolby Atmos support. In other words, there’s enough headroom in the pipeline to honour those creator-defined tweaks without smearing them into the TV’s own house style.
There are caveats. Creator Original is exclusive to Prime Video, and for now it’s tied to the Masters of the Universe reboot, which landed on the platform on 22 July 2026. It’s also restricted to LG’s 2026 OLED evo sets — specifically the W6, G6 and C6 series. A firmware update enabling the mode for compatible Prime Video titles is expected to roll out before the end of July 2026.
If you own an LG TV running webOS 23 or later, there’s a fun party trick baked in too: you can launch Masters of the Universe by shouting “I have the power” into your Magic Remote. Whether the film lives up to that battle cry is another matter — it currently sits at a middling 67 per cent on Rotten Tomatoes.
As for the hardware, LG’s 2026 OLED evo range spans a wide spread of sizes and budgets. In the US, the C6 starts at around $1,399 for the 48-inch, with most G6 and C6 configurations landing in the $2K to $5K range. In the UK, both the G6 and C6 open at £1,699 for the 48-inch, with the 65-inch G6 climbing to £2,999.
The concept is genuinely exciting — a picture mode that changes shape depending on what you’re watching, guided by the artists rather than an algorithm. But plenty of questions remain about how broadly it’ll be supported, whether other titles and platforms will follow, and how noticeable the differences really are in living-room conditions. For now, it’s a tantalising proof of concept aimed squarely at people who care about seeing a film the way its makers meant it to be seen.